The ease with which music can now be made through MIDI-based systems has not only
given rise to an avalanche of techno but has also seen the birth of a new generation of electronic music.
Alongside the mighty Jah Shaka, Sound Iration, Mad professor and
The Twinkle Brothers are less visible producers such as Dub judah,
BlakaMix, Keety Roots and the Bedford-based duo, Dread and Fred.
Ten years with live bands gave Dread and Fred a wealth of experience
and musical knowledge. The years of hard work bore fruit with their
debut single "Warrior Stance" out on the Shaka label in 1988,
a killer tune and a favourite with roots sounds systems up and down
the country. Soon to follow was the debut album, again on Shaka label,
"Ironworks" which consolidated their position as a major
roots artists and featured much fine and innovative music.
The second album from the duo was "On high" again on shaka label.
This is an extremely accomplished dub album with Dread and Fred's
production capabilities increasingly noticeable.
Their latest album on the Shaka label is called "African Chant"
and there is much inventiveness on each track, showing
the areas that it is possible to enter with electronic music,
reaching peaks that the artists might otherwise have trouble in
reaching in a conventional manner. "We have grown in confidence
with the use of electronic equipment,
but still the live aspect of our music is important to us;
we have to be able to please a crowd.
"We perform regularly up and down the country and realise that
there is a large potential market out there. The response that
we get prove that roots music is still alive; not dead like
some people think. Even in Europe roots is a major musical
force that seems to be driving everybody wild."
At the moment Dread and Fred is working on their debut single
on their own "Dread and Fred label" This is an exciting
departure for them which they hope will open up new areas
in the roots field. They are keen to work with other roots artists to
develop the music further, because they feel strongly that while
other types of regaee music may come and go, roots music has
carved a permanent niche for itself in the history of
black musical development. They feel that it can only get better,
especially with the new electronic equipment coming
onto the music market. The possibilities seem suddenly endless,
with only the artists imagination to hold them back.
Dread and Fred perform live on stage with a sequencer,
drum machine, live bass, percussion and singers providing
a dynamic and entertaining stage show,Their C.V. is impressive to say the least,
having backed up the likes of Dub Judah,
Bobby Melody and Earl Sixteen.also Empress Rasheda
They have also shared the same bill as the Mighty Shaka himself,
as well as Sister Aisha, Macka B,Lidj Inc,Mad Proff,Lynton Kwesi Johnson and others.
As well as performing live, Dread and Fred are constantly
producing work in their Ironworks studio, working with artists such as
Mikey B, Dennis Nolan, Fingers Forde, Gus Mckenzie, Moulton (MALO) Mckenzie,
Ras Iyah from leeds alongside other top class singers like Supa Yout and
Disciple T. Natty Gad-Jacob Naphty, I-Natural & Kwasi Asante,
They hope to consolidate their efforts in the future by forging links
with other performers who share similar interests in the roots field,
because they recognise the fact that unity is strength,
especially where regaee music is concerned. Together with the BlakaMix Studio in Bedford,
Dread and Fred hopes to highlight the influence of the smaller counties on the music scene world wide.
The duo have the utmost respect for Artist/Producers like Dennis (Mixman) from the BlakaMix Studio
for Dub Judah from the Dub Jockey label; for Jah Shaka and his fasimba band,
as well as for people like the Disciples, Manesseh,
They feel priviledged to share in the same experience with these rootical brothers, and they
give nuff thanks to Almighty Jah for his guidance and inspiration.
Hailing from UK, Dread & Fred`s revolutionary rhythm construction heralded a next development
in the UK dub scene. It was their track "Warrior Stance" that made the first big impact.
With a storm of strict digital computerised mayhem - the syncopated percussive drum section,
the emblaze of synthesizer horns and effects, and the deep rolling mesmeric bass -
it was innovative at the time. That said track alone played by Jah Shaka in session would cause trouble in the dance
with the crowd skanking in frenzy and fury.
Other highlights included the title track "Iron Works" of which Shaka would play some of the wildest mixes
never to be released.
Another Shaka favourite in the dance was "African Dawn" a soundscape that would invoke images to
the heaving crowd of the promised land that awaits them.




